Umcimbi is a Xhosa word that describes a traditional ceremony, specifically here for Xhosa people. Jazz Umcimbi (herein referred as JUE) seeks to reimagine folk music (umombelo, amagwijo, and amahubo) through the lens of South African Jazz. In this case, South African jazz functions as a solemn space in which cultural sensibilities dialogue. This work unfolds as an invention that engages music as a point of reference for locating histories and identities of the Nguni people. The band stand serves as an ethnographic and technological platform. Essentially, the entirety of the practice is experimental and facilitates the performance and new meanings and interpretations thereof. Presenting this work it is imperative to highlight that communality and inclusivity are central to the totality of the practice.
This work, here prepared for the Black Power Station, will be presented by the Jazz Umcimbi Ensemble.
PRODUCTION CREDITS
Zuko Yigi
ABOUT THE ARTISTS
Born and raised in Mthatha, Zuko is a multi-disciplinary creative curator and jazz musician based in East London, Eastern Cape. His practice underscores mentorship under Dr. Nduduzo Makhathini at the University of Fort Hare. Zuko’s work is emblematic of Nguni traditions, cultural identities, and histories; thus, his expressions are explorative and employ South African jazz to broaden interpretations and meanings thereof. Zuko is a scholar in the fields of musicology, African Philosophy of Music, Music and Art Administration, and Performance. Zuko is a radio personality at KNR focusing on jazz development. His music journey recounts life-enriching experiences on the bandstand with luminaries like Jimmy Dludlu, Andile Yenana, Dr. Nduduzo Makhathini, MXO, Dumza Maswana, Phumlani Mtiti, Sakhile Simani, Neahtiah, etc. Zuko is passionate about activating spaces by using art as a technology to reimagine their purpose. He is a collaborator on many social and recreational campaigns and is committed to developing an inclusive and sustainable creative ecosystem.
